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Slave Songs of the Georgia Sea Islands (1942)

par Lydia Parrish

Autres auteurs: Creighton Churchill (Music transcribed by), Olin Downes (Introduction), Robert MacGimsey (Music transcribed by)

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A valuable collection of folk music and lore from the Gullah culture, Slave Songs of the Georgia Sea Islands preserves the rich traditions of slave descendants on the barrier islands of Georgia by interweaving their music with descriptions of their language, religious and social customs, and material culture. Collected over a period of nearly twenty-five years by Lydia Parrish, the sixty folk songs and attendant lore included in this book are evidence of antebellum traditions kept alive in the relatively isolated coastal regions of Georgia. Over the years, Parrish won the confidence of many of the African-American singers, not only collecting their songs but also discovering other elements of traditional culture that formed the context of those songs. When it was first published in 1942, Slave Songs of the Georgia Sea Islands contained much material that had not previously appeared in print. The songs are grouped in categories, including African survival songs; shout songs; ring-play, dance, and fiddle songs; and religious and work songs. In additions to the lyrics and melodies, Slave Songs includes Lydia Parrish's explanatory notes, character sketches of her informants, anecdotes, and a striking portfolio of photographs. Reproduced in its original oversized format, Slave Songs of the Georgia Sea Islands will inform and delight students and scholars of African-American culture and folklore as well as folk music enthusiasts.… (plus d'informations)
Récemment ajouté parwaltzmn, J.woof, karenb, odellodim, BLHA, OKRL-WWC, kincaidmills, Revels, geoffmangum, ndrose
Bibliothèques historiquesCarl Sandburg
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Lydia Parrishauteur principaltoutes les éditionscalculé
Churchill, CreightonMusic transcribed byauteur secondairetoutes les éditionsconfirmé
Downes, OlinIntroductionauteur secondairetoutes les éditionsconfirmé
MacGimsey, RobertMusic transcribed byauteur secondairetoutes les éditionsconfirmé
Rosenbaum, ArtAvant-proposauteur secondairequelques éditionsconfirmé
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An Explanation
There are certain matters connected with the singing of these slave songs that should be cleared up at the very beginning.
CHAPTER ONE
Concerning Slave Songs and Their Preservation
Where did they come from? Who composed them?
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A valuable collection of folk music and lore from the Gullah culture, Slave Songs of the Georgia Sea Islands preserves the rich traditions of slave descendants on the barrier islands of Georgia by interweaving their music with descriptions of their language, religious and social customs, and material culture. Collected over a period of nearly twenty-five years by Lydia Parrish, the sixty folk songs and attendant lore included in this book are evidence of antebellum traditions kept alive in the relatively isolated coastal regions of Georgia. Over the years, Parrish won the confidence of many of the African-American singers, not only collecting their songs but also discovering other elements of traditional culture that formed the context of those songs. When it was first published in 1942, Slave Songs of the Georgia Sea Islands contained much material that had not previously appeared in print. The songs are grouped in categories, including African survival songs; shout songs; ring-play, dance, and fiddle songs; and religious and work songs. In additions to the lyrics and melodies, Slave Songs includes Lydia Parrish's explanatory notes, character sketches of her informants, anecdotes, and a striking portfolio of photographs. Reproduced in its original oversized format, Slave Songs of the Georgia Sea Islands will inform and delight students and scholars of African-American culture and folklore as well as folk music enthusiasts.

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