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Against the Machine: Being Human in the Age…
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Against the Machine: Being Human in the Age of the Electronic Mob (édition 2008)

par Lee Siegel (Auteur)

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23410115,303 (2.97)5
Essayist Siegel is known for passionately arguing contrarian points of view, which is why he's the perfect person to write a critical book about the Web that has almost nothing to do with technology and everything to do with what it's doing to the people who use it. Siegel forces readers to radically rethink a familiar medium, arguing that the Web and complementary developments--from reality television to the emergence of business prophets like Malcolm Gladwell--are giving rise to a new and malevolent mass culture, an "electronic mob," that threatens to overwhelm long-held concepts of humanity, democracy, and the individual. In making this argument, Siegel offers up startling insights about all aspects of culture--from American Idol to futurism, film techniques to Internet dating--that reveal hidden connections and dilemmas, providing a fresh and provocative vision of how our world is changing.--From publisher description.… (plus d'informations)
Membre:diananagy
Titre:Against the Machine: Being Human in the Age of the Electronic Mob
Auteurs:Lee Siegel (Auteur)
Info:Spiegel & Grau (2008), 194 pages
Collections:Worth Something on Amazon, En cours de lecture, À lire, Votre bibliothèque
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Against the Machine: Being Human in the Age of the Electronic Mob par Lee Siegel

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    The Internet Is Not What You Think It Is: A History, a Philosophy, a Warning par Justin E. H. Smith (paradoxosalpha)
    paradoxosalpha: A more current, more thoughtful, and equally accessible treatment of some of the same issues.
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There's only one problem with this book, or better with me and this book: that it was written in 2008 and I'm reading it just now, in 2014! The book is simply the best critique of internet's individualistic and market-driven ideology that you can find. Must read. ( )
  d.v. | May 16, 2023 |
I made two errors in selecting this book to read. First, I confused the author with the other Lee Siegel, Indologist and novelist, who I thought could have some interesting things to say on this topic, as any contemporary intellectual might. This Lee Siegel is however a journalist, reviewer, and culture critic with a history of work at Slate and prominent US print periodicals. Second, I failed to notice that the book was published in 2008, making it as much a matter of historical interest as contemporary analysis, with respect to circumstances on the internet. It was slightly prior to the first Avatar movie--which it instances in discussing the increasingly immersive qualities of media, after a rather puzzling and factually dubious digression about the effects of "method acting" on media culture (114).

Still, without much in the way of overt prognostication, the book was in some respects prescient. The "Electronic Mob" of the subtitle mostly predated the (today still steeply increasing) usage of "Twitter mob," as that platform was then in its infancy and didn't even rate a mention. Instead, the cutting-edge internet landscape in this book consists of now-matured (if not in some cases decrepit) platforms such as MySpace, YouTube (not yet acquired by Google), Second Life (now relevant as a de facto Metaverse beta trial?), eBay, and Match.com.

Seigel positions himself squarely against "Internet boosterism" that trivializes the social and cultural hazards of the 'net while advancing claims for it to enhance freedom, democracy, "self expression," and choice. He remarks convenience as the sole genuine benefit of 'net use. He has a cast of "booster" futurologists and pundits whom he excoriates, and these include Alvin Toffler, Stuart Brand, David Brooks, and Malcolm Gladwell, all of whom are fair marks I think. But he seems to err in targeting Douglas Rushkoff--a conspicuous critic of 'net "social media"--confusing some of Rushkoff's diagnoses of internet culture with blithe endorsements. (On p. 84 Siegel doesn't allow for the possibility that Rushkoff's "eerie mechanistic idiom" and "outlandishness" might have been calculated to produce the negative reaction towards 'net indoctrination that Siegel experienced reading it!) Like the old-line cyberpunk Rushkoff, Siegel objects to "the commodifying of ideas and emotions behind hyperbole about liberating avenues of fantasy and play" in characterizations of the internet (36).

He claims that the 20th-century broadcast media which addressed the masses were not yet the "mass culture for the first time" manifested in an internet which surrenders itself to the banalities of sensationalism, hyperbole, and fraud (74-9). He wants to draw a bright line where 'net-driven culture leaves behind merited fame in favor of "viral" popularity, and he objects to the ubiquitous metaphor: "It depresses me to equate illness with success even in a quotation" (105). Ruminating on the internet devaluation of expertise in culture, Siegel uses medicine as his counterpoint: "That's why you never hear about the Internet causing a 'revolution' in law or medicine ... Professions and trades require training. You could not have the equivalent of Jay Rosen creating 'citizen heart surgeons'" (139). He thought medicine was immune to the assault on expertise! And now a non-metaphoric pandemic virus has killed millions, many of whom refused the preventive measures supplied by establishment medicine, in favor of "doing their own research" on the internet.

Ever so briefly, Siegel brushes up against the hazard of epistemic closure, where "users customize their news sources so they only read news that suits their own interests and tastes" (109), which a reader might be tempted to dismiss as a mere extension of the general human failing of confirmation bias. He misses how this failing can become catastrophic when covertly reified through Google page rank, Facebook feed algorithms, and other subtle devices of surveillance capitalism. Indeed, the surveillance dimension escapes him altogether, and he doesn't acknowledge the rational, defensive role of internet anonymity in the face of unregulated corporate control.

Against the Machine places a premium on its exploration of the subjective isolation of the 'net user, with introspective passages about what it is like for Siegel to sit down at his computer and what it is that he is doing and trying to do when he interacts with the 'net there. As a professional writer, it seems he was unable to perceive the extent--even in 2008--that the main interface for 'net users had shifted from laptop to smartphone. The nowhere of the internet is now more everywhere than before. When he contrasts the transactional, ulterior nature of internet experience with the exploratory nature of a walk in the park or browsing in a bookstore (174-5), he seems not to have imagined that the internet could so colonize the quotidian that the walker in the park would be listening to a podcast, or the bookstore shopper checking her phone for a recommendation she had read online. (Nor does he seem to have experienced the aleatory pleasure--no matter how contrived or tacitly managed--of "surfing" the 'net!)

This book-length essay interestingly complements the recent and widely-hailed article in The Atlantic by Jonathan Haidt, "Why the Past Ten Years of American Life Have Been Uniquely Stupid." Haidt's piece is a retrospective on the damage done by social media, justifying and amplifying many of Siegel's indictments, such as those regarding "virality," the commodification of private life, the erosion of social institutions, and the magnification of hate and outrage. Haidt, like Rushkoff but unlike Siegel, also pays particular attention to consequences for the children of the 21st century, for whom the 'net has been an inescapable ingredient of social and emotional development. Another point emphasized by Haidt (which Siegel touches far more incidentally) is the fact that 'net discourse overrepresents the whitest, most affluent, and most ideologically rigid (whether "conservative" or "progressive") participants.

No one encountering even just the title of Siegel's book should expect anything other than a jeremiad. His defense of inherited media institutions (despite their complicity in the internet developments he decries) often makes him seem like a reactionary, and some of his arguments are a bit muddled. But most of his concerns have been borne out by the dismal developments of the last decade and a half, and the book is written thoughtfully enough that almost any given paragraph could be meat for earnest intellectual argument. Despite it being not at all the book I had thought I was reserving at my local public library, I thought it was still worth my time to read.
1 voter paradoxosalpha | Apr 30, 2022 |
Thought this might have been a bit more nuanced - but while I agree with and have sympathy with the point being made here (hence 2 stars rather than 1), Siegel comes across as a grumpy old man who's not really willing to entertain any particularly balanced arguments. You know the kind of person who's decided they hate new things and nothing will change their mind. The prose is readable, but feels like an elongated blogpost more than a critique. And most of his arguments (in the first third of the book that I read) don't seem specific to the net, but modern culture generally going back to tv.

Not finishing. ( )
  6loss | Nov 7, 2019 |
It is a shame that the important, true things that Lee Siegel argues in this book are obscured by his all out attack on the Internet's down side which does not recognize that for every rude, self-serving, ill-informed blog there is a reasoned opinion elsewhere on line; for every source of misinformation there is an authoritative source of solid fact; and so on. Siegel can be infuriating, silly or simply wrong, but that should not stop anyone who uses the Internet from reading his book carefully. What he gets wrong is not nearly as important as what he gets right in his diatribe/critique of the Internet. ( )
  nmele | Apr 6, 2013 |
My review would be very much the same as mcur's below though I don't think, as mcur does, that the final chapter does enough to overcome the weaknesses of the bulk of the piece.

Siegel makes many assertions about society and culture, but he supports his assertions with weak reasoning and little evidence. Basically, this is a book that was interesting for its contrarian viewpoint, but little else. Siegel would, no doubt, take issue with my reveiw, but since he, apparently, doesn't write to be popular I suppose that he could care less what I post in this review ... LOL ... Anyway ... I bought it for my library, but it's just ... Meh ... Again ... I crack myself up, just to make his point! ( )
1 voter ambookgeek | Mar 29, 2010 |
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Essayist Siegel is known for passionately arguing contrarian points of view, which is why he's the perfect person to write a critical book about the Web that has almost nothing to do with technology and everything to do with what it's doing to the people who use it. Siegel forces readers to radically rethink a familiar medium, arguing that the Web and complementary developments--from reality television to the emergence of business prophets like Malcolm Gladwell--are giving rise to a new and malevolent mass culture, an "electronic mob," that threatens to overwhelm long-held concepts of humanity, democracy, and the individual. In making this argument, Siegel offers up startling insights about all aspects of culture--from American Idol to futurism, film techniques to Internet dating--that reveal hidden connections and dilemmas, providing a fresh and provocative vision of how our world is changing.--From publisher description.

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