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Retreat, The par Aharon Appelfeld
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Retreat, The (original 1984; édition 1985)

par Aharon Appelfeld

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The year is 1937. On a remote hilltop some distance from Vienna stands a hotel called The Retreat. Founded by a man who is determined to cleanse himself and his guests of all "Jewish traits," it is a resort of assimilation, with daily activities that include lessons in how to look, talk, act--in short, how to pass--as a gentile. But with Hitler on the march, the possibilities of both assimilation and retreat are quickly fading for the hotel's patrons, men and women who are necessarily--and horrifically--blind to their fate. Mordant, shrewd, and elegantly written, The Retreat is a moving story of people forbidden to retreat from themselves, by the writer whom Irving Howe called "one of the best novelists alive."… (plus d'informations)
Membre:akamarkman
Titre:Retreat, The
Auteurs:Aharon Appelfeld
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The Retreat par Aharon Appelfeld (1984)

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It's 1937 and a middle aged Jewish actress- sacked for her race - is on her way to a 'retreat' in the mountains. A sort of second rate Jewish hotel, run by the deluded Balaban, whose remit is to get his guests to change, lose all the attributes which make them Jewish, and which he sees as massive flaws. If they can only lose their accents and become more gentile in looks and behaviour, he is convinced they can return to the world. Meanwhile, though never precisely mentioned, world events are closing in...
Kind of Kafka meets the Magic Mountain. Quite clever but not massively enjoyable reading. ( )
  starbox | May 14, 2019 |
I enjoyed Appelfeld's Badenheim 1939 many years ago, and this has a similar theme: reactions of Jews to the coming nightmare in Europe, but this one is more Kafkaesque with a group of Jews coming together in a mountain retreat dedicated to trying to eliminate their Jewishness through voice and manner training and physical exercise, though this has already fallen off as we enter the novel. The introduction describes Applefeld's theme as the folly of wilful blindness and the inability of the imagination to face reality. This is certainly true of the people in the retreat who embark on the impossible which they think they can achieve by denying their previous lives and existences, which of course leads them to completely miss and misunderstand the drift of society and the storm gathering over them. The signs are there, but they are evident in retrospect. Only the most far-sighted or sensitive, or courageous saw the direction and were able to act on their perceptions. The founder of the retreat dies having dissipated his success and wealth, suicides occur, and the world begins to close in on the group; but there is solidarity and support in the group and family. It just didn't come together for me.
  John | Nov 30, 2005 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Appelfeld, Aharonauteur principaltoutes les éditionsconfirmé
Bilu, DalyaTraducteurauteur secondairequelques éditionsconfirmé

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The year is 1937. On a remote hilltop some distance from Vienna stands a hotel called The Retreat. Founded by a man who is determined to cleanse himself and his guests of all "Jewish traits," it is a resort of assimilation, with daily activities that include lessons in how to look, talk, act--in short, how to pass--as a gentile. But with Hitler on the march, the possibilities of both assimilation and retreat are quickly fading for the hotel's patrons, men and women who are necessarily--and horrifically--blind to their fate. Mordant, shrewd, and elegantly written, The Retreat is a moving story of people forbidden to retreat from themselves, by the writer whom Irving Howe called "one of the best novelists alive."

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