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Infinite Dimensions: Stories par Jessica…
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Infinite Dimensions: Stories (édition 2022)

par Jessica Treadway (Auteur)

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15111,378,622 (4.5)Aucun
In Sky Harbor, her first collection after winning the Flannery O'Connor Award for Short Fiction for Please Come Back to Me, Jessica Treadway writes about the themes of fidelity, betrayal, and self-delusion as she portrays what William Faulkner called the human heart in conflict with itself. Following in the tradition of Elizabeth Strout and her own mentor, the late Andre Dubus, Treadway mines the internal landscapes of her characters with intimate insight as she shows them trying but often failing to live up to their own moral standards. A female bank executive with a history of psychiatric illness is forced to decide whether to hire her former hospital roommate, whom she fears will expose her past. A college student has to choose between his grandmother and his girlfriend. A recovering alcoholic faces the prospect of self-sabotage during a dinner meeting with an editor who can make or break her career. The stories are loosely linked by character, setting, and the motif of a talking sugar bowl that appears in the work of the Russian author Anya Chaykovskaya who is, in turn, one of Treadway's own fictional characters. Hailed by The New York Times Book Review as a writer with an unsparing bent for the truth, Treadway exhibits in her stories both a deft understanding of human psychology and mastery at depicting it in multiple, complex, and intriguing forms.… (plus d'informations)
Membre:LisaDeNiscia
Titre:Infinite Dimensions: Stories
Auteurs:Jessica Treadway (Auteur)
Info:Delphinium (2022), 224 pages
Collections:Votre bibliothèque
Évaluation:*****
Mots-clés:Aucun

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Infinite Dimensions par Jessica Treadway

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Affichage de 1-5 de 11 (suivant | tout afficher)
Cette critique a été écrite dans le cadre des Critiques en avant-première de LibraryThing.
Do any of us really know ourselves? Do we really understand why we do as we do, and how we affect the other people in our lives? Do they have any idea who we are anyway? We meet the characters in Jessica Treadway's Infinite Dimensions at the moment they make a decision that forces them to ask who they are, and if that person is the same as the one that moves around in the world. Running through the collection are a handful of reoccurring characters and a fictional short story about a Russian housewife and a probing talking sugar bowl that everyone but us gets a chance to read.

I loved this book. You should read it. Thank you to LibraryThing and Delphinium for a review copy. Sorry it took me six months to read it. ( )
  Magus_Manders | Mar 16, 2023 |
Cette critique a été écrite dans le cadre des Critiques en avant-première de LibraryThing.
The book starts off with a story that made me feel a deep sympathy for a secondary character, watching as the main character and narrator did everything she could to hide her past.

In one story a student contemplates the question "is it worse to be cruel to a dog than to a flea?"

In another, a woman faces her ex husband's widow and just can't seem to forgive her for marrying her husband.

These stories are somewhat connected by a fictional book written by the fictional Chaykovskya, a character of Treadway's own invention.

It's clear in these stories that the author understands people and the things that make them tick. Characters are flawed. They hold grudges. They give into temptations. They fail. They grapple with themselves. They wonder "what kind of person am I?" In Divertimento, a character from an earlier story wonders if there is really any meaning to life, while her companion loses patience with her "pity party." I liked this story in particular because it is so similar to the conversations I have in my head with myself, that inner struggle to find meaning and hope, while pessimism tells me it's all for nothing.

I think Jessica Treadway's strong suit is the way she builds these realistic characters. And so I really liked these stories. ( )
  PaperbackPropensity | Dec 5, 2022 |
Cette critique a été écrite dans le cadre des Critiques en avant-première de LibraryThing.
This is a great collection of short stories. The stories are somewhat connected, but each can stand alone on its own. The stories are engaging and entertaining. I enjoyed each one. ( )
  dwcofer | Nov 12, 2022 |
Cette critique a été écrite dans le cadre des Critiques en avant-première de LibraryThing.
Now this was a much better selection of short stories than I read last month with my ER win. I must say I thoroughly enjoyed the stories and did a average rating based on what I thought of each story. ( )
  booklover3258 | Oct 8, 2022 |
Cette critique a été écrite dans le cadre des Critiques en avant-première de LibraryThing.
Treadway crafts a masterful collection of short stories, where a reader can feel fulfilled after finishing one on its own, but fully satisfied after consuming the entire collection. I am not typically someone that enjoys a short-story format, but Treadway's writing was compelling enough (and easy to ease into) that I found myself unable to put it down.
  Shannon_Tozier | Aug 27, 2022 |
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To Ann Olson Treadway, who read me my first stories,

and to Phil Holland, love true
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These days she moved through the world with the sense that she had either excaped from prison or been set free.
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In Sky Harbor, her first collection after winning the Flannery O'Connor Award for Short Fiction for Please Come Back to Me, Jessica Treadway writes about the themes of fidelity, betrayal, and self-delusion as she portrays what William Faulkner called the human heart in conflict with itself. Following in the tradition of Elizabeth Strout and her own mentor, the late Andre Dubus, Treadway mines the internal landscapes of her characters with intimate insight as she shows them trying but often failing to live up to their own moral standards. A female bank executive with a history of psychiatric illness is forced to decide whether to hire her former hospital roommate, whom she fears will expose her past. A college student has to choose between his grandmother and his girlfriend. A recovering alcoholic faces the prospect of self-sabotage during a dinner meeting with an editor who can make or break her career. The stories are loosely linked by character, setting, and the motif of a talking sugar bowl that appears in the work of the Russian author Anya Chaykovskaya who is, in turn, one of Treadway's own fictional characters. Hailed by The New York Times Book Review as a writer with an unsparing bent for the truth, Treadway exhibits in her stories both a deft understanding of human psychology and mastery at depicting it in multiple, complex, and intriguing forms.

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