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The Arab Apocalypse par Etel Adnan
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The Arab Apocalypse (original 1980; édition 2007)

par Etel Adnan

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Poetry. Middle Eastern studies. Translated from the French by the author. Reprinted with a new foreward by Jalal Toufic. "This book, a masterwork of the dislocations and radiant outcries of the Arab world, reaffirms Etel Adnan, who authored the great poem, Jebu, as among the foremost poets of the French Language. THE ARAB APOCALYPSE is an immersion into a rapture of chaos clawing towards destiny, and nullified hope refusing its zero. Is is also the journey of soul through the cartography of a global immediacy rarely registered by maps, replete with signposts like hieroglyphs in a storm of shrapnel and broken glass. And above all it is a book that, though capable of being read in its orderly sequence, has so surrendered to 'being there,' it can rivet the sensibility to the Middle Eastern condition at any point in the text--so rapid are its mutations, so becoming its becomingness--like a wisdom book or a book of Changes"--Jack Hirschman. "It has a power and intensity that few poets today can muster—only Allen Ginsberg's Howl comes to mind."—Alice Molloy "The power of Adnan's language and imagery reminds us that she is indeed one of the most significant post-modern poets in contemporary Arab culture."—Kamal Boullatta "THE ARAB APOCALYPSE is, to date, Adnan's most triumphant battle with the exactness of words."—Douglas Powell "The poem invokes a mythic past of Gilgamesh, Tammouz, and Ishtar to presage a present that resists narration, THE ARAB APOCALYPSE contests an uncritical reflection on the immediate historical past."—Barbara Harlow… (plus d'informations)
Membre:romosantillano
Titre:The Arab Apocalypse
Auteurs:Etel Adnan
Info:The Post-Apollo Press (2007), Edition: 3rd, Paperback, 82 pages
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Apocalypse Arabe par Etel Adnan (1980)

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War/postcolonial poetry that combines a myriad of archetypal references with an intensely idiosyncratic engagement with language and with the nature of signs. It does retain some traces of more transparent political engagement (more specifically, Adnan seems to take an antifascist stance at times and does not always paint the horrors of war with a fairly broad stroke as a way of merely saying ”everybody hurts”), but a more straightforward poetry like that of socialist realism wouldn't have been faithful in recording the whole sense of violence, bloodshed, desperation, catastrophe that imbues everything, mutilating language itself. ( )
  yigruzeltil | Feb 14, 2023 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Etel Adnanauteur principaltoutes les éditionscalculé
Toufic, JalalAvant-proposauteur secondairequelques éditionsconfirmé
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Poetry. Middle Eastern studies. Translated from the French by the author. Reprinted with a new foreward by Jalal Toufic. "This book, a masterwork of the dislocations and radiant outcries of the Arab world, reaffirms Etel Adnan, who authored the great poem, Jebu, as among the foremost poets of the French Language. THE ARAB APOCALYPSE is an immersion into a rapture of chaos clawing towards destiny, and nullified hope refusing its zero. Is is also the journey of soul through the cartography of a global immediacy rarely registered by maps, replete with signposts like hieroglyphs in a storm of shrapnel and broken glass. And above all it is a book that, though capable of being read in its orderly sequence, has so surrendered to 'being there,' it can rivet the sensibility to the Middle Eastern condition at any point in the text--so rapid are its mutations, so becoming its becomingness--like a wisdom book or a book of Changes"--Jack Hirschman. "It has a power and intensity that few poets today can muster—only Allen Ginsberg's Howl comes to mind."—Alice Molloy "The power of Adnan's language and imagery reminds us that she is indeed one of the most significant post-modern poets in contemporary Arab culture."—Kamal Boullatta "THE ARAB APOCALYPSE is, to date, Adnan's most triumphant battle with the exactness of words."—Douglas Powell "The poem invokes a mythic past of Gilgamesh, Tammouz, and Ishtar to presage a present that resists narration, THE ARAB APOCALYPSE contests an uncritical reflection on the immediate historical past."—Barbara Harlow

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