AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

Chargement...

A Hundred Years of Fiction: From Colony to Independence (Welsh Writing in English Series)

par Stephen Knight

MembresCritiquesPopularitéÉvaluation moyenneDiscussions
3Aucun4,142,299 (3)Aucun
A Hundred Years of Fiction is the first book to explore and analyse the Anglophone fiction of Wales in the twentieth century. Stephen Knight looks at writers who deal with Welsh life and issues, ranging from Allen Raine to Christopher Meredith, and asks how they relate to the determining forces of their period and contexts, from the economy and politics to concepts of Welsh identity and the pressures of a colonial situation. The book is in three sections. The first deals with colonial and touristic fiction from the late nineteenth century on, noting that some authors like 'Allen Raine' and Margiad Evans, as well as delighting English readers with quaintness, also represented what they saw as the real values of Welsh social culture. Section two shows how writing about the industrial settlement broke with a colonized viewpoint and working-class authors like Jack Jones, Lewis Jones and Gwyn Thomas realized with verve and embattled anger the situation on the coalfield - though some, like Richard Llewellyn, reversed that pattern into industrial romance. After the second world war, as section three describes, writers increasingly wrote about a Wales that sought self-sufficiency, and many of them, often Welsh-speaking like Emyr Humphreys, Menna Gallie, and Christopher Meredith, sought to integrate some of the native traditions with the English language culture in which they wrote. At the end of the twentieth century there is a surge of Welsh writers in English, often now published in Wales, women's voices strong among them, who are aware both of the difficult circumstances in which they live and of their status as writers contributing to the self-awareness of an increasingly independent-minded country.… (plus d'informations)
Récemment ajouté parSnailseyeview, ebenezergo, aidanbyrne
Aucun
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

Actuellement, il n'y a pas de discussions au sujet de ce livre.

Aucune critique
aucune critique | ajouter une critique
Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Titre original
Titres alternatifs
Date de première publication
Personnes ou personnages
Lieux importants
Évènements importants
Films connexes
Épigraphe
Dédicace
Premiers mots
Citations
Derniers mots
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais

Aucun

A Hundred Years of Fiction is the first book to explore and analyse the Anglophone fiction of Wales in the twentieth century. Stephen Knight looks at writers who deal with Welsh life and issues, ranging from Allen Raine to Christopher Meredith, and asks how they relate to the determining forces of their period and contexts, from the economy and politics to concepts of Welsh identity and the pressures of a colonial situation. The book is in three sections. The first deals with colonial and touristic fiction from the late nineteenth century on, noting that some authors like 'Allen Raine' and Margiad Evans, as well as delighting English readers with quaintness, also represented what they saw as the real values of Welsh social culture. Section two shows how writing about the industrial settlement broke with a colonized viewpoint and working-class authors like Jack Jones, Lewis Jones and Gwyn Thomas realized with verve and embattled anger the situation on the coalfield - though some, like Richard Llewellyn, reversed that pattern into industrial romance. After the second world war, as section three describes, writers increasingly wrote about a Wales that sought self-sufficiency, and many of them, often Welsh-speaking like Emyr Humphreys, Menna Gallie, and Christopher Meredith, sought to integrate some of the native traditions with the English language culture in which they wrote. At the end of the twentieth century there is a surge of Welsh writers in English, often now published in Wales, women's voices strong among them, who are aware both of the difficult circumstances in which they live and of their status as writers contributing to the self-awareness of an increasingly independent-minded country.

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Discussion en cours

Aucun

Couvertures populaires

Vos raccourcis

Évaluation

Moyenne: (3)
0.5
1
1.5
2
2.5
3 1
3.5
4
4.5
5

Est-ce vous ?

Devenez un(e) auteur LibraryThing.

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 206,082,893 livres! | Barre supérieure: Toujours visible