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The Weird and the Eerie par Mark Fisher
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The Weird and the Eerie (édition 2017)

par Mark Fisher (Auteur)

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381567,286 (3.83)4
What exactly are the Weird and the Eerie? In this new essay, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The Weird and the Eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The Weird and the Eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling. Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie. These two modes will be analysed with reference to the work of authors such as H. P. Lovecraft,H. G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christoper Nolan.… (plus d'informations)
Membre:rainscience
Titre:The Weird and the Eerie
Auteurs:Mark Fisher (Auteur)
Info:Repeater (2017), 144 pages
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The Weird and the Eerie par Mark Fisher

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5 sur 5
An interesting discussion of "weird" and "eerie," what Fisher calls "modes" rather than genre. He starts with literature but also discusses other media like music and film. A bit jargon-y at times (I had to look up a couple words), I feel that this book is more for additional studies rather than an introduction. At least some familiarity with the material helps with following the discussions. ( )
  WeeTurtle | Apr 29, 2024 |
Analisi di due concetti apparentemente intraducibili (weird e eerie) che Fisher definisce e correda di esempi tratti da letteratura e cinema. Un libro che immagino divertente da scrivere (lo è sempre “inventare” categorie e definirle) e piacevole da leggere, aggiungendo un livello all’universo pop di Fisher, anche se forse non è proprio così in quanto questo è purtroppo l'ultimo testo prima del suicidio. ( )
  d.v. | May 16, 2023 |
Skip around and only read the essays that are interesting to you. ( )
  adaorhell | Nov 11, 2022 |
Mark Fisher, known for writing about post-punk and popular culture under the K-Punk moniker, tries to distinguish between the outright weird and the not-so-easily defined eerie. Weirdness is described as the feeling of being ( )
  georgeybataille | Jun 1, 2021 |
Honestly, I'm giving The Weird and the Eerie four stars for Fisher's lucid prose and the overall quality of his insight. As a whole, the book is uneven and the individual essays, while often quite good, could use a larger context than that Fisher provides with his explications of "the weird" and "the eerie." Still, quite a lot to think about, and no doubt subsequent writers will use Fisher's interpretations to generate a more comprehensive hermeneutics of the weird. ( )
  LancasterWays | May 29, 2018 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Mark Fisherauteur principaltoutes les éditionscalculé
Didino, GianlucaPostfaceauteur secondairequelques éditionsconfirmé
Perna, VicenzoTraducteurauteur secondairequelques éditionsconfirmé
Werthschulte, ChristianPostfaceauteur secondairequelques éditionsconfirmé
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What exactly are the Weird and the Eerie? In this new essay, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The Weird and the Eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The Weird and the Eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling. Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie. These two modes will be analysed with reference to the work of authors such as H. P. Lovecraft,H. G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christoper Nolan.

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