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Odes par Sharon Olds
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Odes (édition 2016)

par Sharon Olds (Auteur)

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Following the Pulitzer prize-winning collection Stag's Leap, Sharon Olds gives us a stunning book of odes. Opening with the powerful and tender "Ode to the Hymen," Olds addresses and embodies, in this age-old poetic form, many aspects of love and gender and sexual politics in a collection that is centered on the body and its structures and pleasures. The poems extend parts of her narrative as a daughter, mother, wife, lover, friend, and poet of conscience that will be familiar from earlier collections, each episode and memory burnished by the wisdom and grace and humor of looking back. In such poems as "Ode to My Sister," "Ode of Broken Loyalty," "Ode to My Whiteness," "Blow Job Ode," and "Ode to the Last Thirty-Eight Trees in New York City Visible from This Window," Olds treats us to an intimate examination that, like all her work, is universal, by turns searing and charming in its honesty. From the bodily joys and sorrows of childhood to the deaths of those dearest to us, Olds shapes the world in language that is startlingly fresh, profound in its conclusions, and life-giving for the reader.… (plus d'informations)
Membre:Leanne97
Titre:Odes
Auteurs:Sharon Olds (Auteur)
Info:Knopf (2016), Edition: First Edition, 128 pages
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Odes par Sharon Olds

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Feeling, not thinking, despite the ode to thought. Images, not stories. Very sexy, but aren't we all? Full of wonderful lines you won't forget, such as this line, from "A Celibate's Ode to Balls."

I missed the two who are with the one
which enters, while they do not enter,
they loll intense.
( )
  MaryHeleneMele | May 6, 2019 |
An unusual and ingenious book of odes — poems of praise and celebration — to a wide range of topics: the hymen, the clitoris, the penis, Stanley Kunitz, buttermilk, legs, wind, broken loyalty.

Lots of sex and death and queasy-making subjects. Many of these poems didn’t do it for me. Some struck me as over-the-top, exaggerated praise that just didn’t come off. And I did mutter, more than once, “Enough already about the nether regions!” But there are many poems here that I liked a lot — for their candor, inventiveness, and their intense and surprising language.

Olds has been called confessional. She’s been called exhibitionist. Her work has been called gynecological. Here, as usual, the poet is unsentimental, unapologetic, boundary-pushing, and proud of it.

My favorite in the collection is the beautiful and tender Stanley Kunitz Ode. I also greatly enjoyed the odes to wattles, fat, and stretch marks. The aging female body (“the thrilling unloveliness of an elderwoman’s aging”) here becomes a subject of interest, appreciation, reverence, and sometimes downright revelry. There is a lot of good humor in these pages.

“ . . . and now the earth
provides, on my body, more and more signs:
No Fishing. No Eggs. Out of Milk.”

— from “Merkin Ode” ( )
  toniclark | Dec 22, 2016 |
There are odes to all sorts of things here: toxic shock, whiskers, stretch marks, the female reproductive system, a composting toilet, the vagina, balls, menstrual blood - everything you can imagine.
  jon1lambert | Nov 6, 2016 |
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Following the Pulitzer prize-winning collection Stag's Leap, Sharon Olds gives us a stunning book of odes. Opening with the powerful and tender "Ode to the Hymen," Olds addresses and embodies, in this age-old poetic form, many aspects of love and gender and sexual politics in a collection that is centered on the body and its structures and pleasures. The poems extend parts of her narrative as a daughter, mother, wife, lover, friend, and poet of conscience that will be familiar from earlier collections, each episode and memory burnished by the wisdom and grace and humor of looking back. In such poems as "Ode to My Sister," "Ode of Broken Loyalty," "Ode to My Whiteness," "Blow Job Ode," and "Ode to the Last Thirty-Eight Trees in New York City Visible from This Window," Olds treats us to an intimate examination that, like all her work, is universal, by turns searing and charming in its honesty. From the bodily joys and sorrows of childhood to the deaths of those dearest to us, Olds shapes the world in language that is startlingly fresh, profound in its conclusions, and life-giving for the reader.

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