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Wonder and Resonance: Fiction/Non-fiction

par Brenda Draney

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"The thirteen artists in Fiction/Non-fiction challenge mainstream cultural and political narratives by offering transcultural critique through works that propose counterpoints, rhetorical questions, and revisionist statements (often as increasingly abstract forms of representation) to official historical records or archives. Through the reinterpretation of facts, traditions, and fictional elements that have informed identity politics and acted as borders and barriers to more elaborate discourse, the artists dissect not only personal and social identity issues, but also the nature and implications of their construction, and how these things are situated and represented in contemporary life... In each case the abstraction of an idea is a starting point for a critique that asserts the existence of evolving frameworks of identity that are formed through a combination of personal and social experiences and negotiations. Our understanding of Fiction and Non-Fiction is brought into question as each artist contradicts what we think we know. Our understanding of what is real, what is imaginary, or, more importantly, what constitutes a story and what constitutes history, is destabilized... Fiction/Non-fiction endeavours to provide meaningful discourse toward notions of progress, to support the elimination of racism, to encourage multiple perspectives and self-definition, to reject barriers or imposed stereotypes, and to offer a space for artists to speak as they would like to be heard. This exhibition is presented as an invitation to a conversation that reconsiders the traditional binary between the assumed non-fiction of history and the fiction or invention of storytelling"--Esker Foundation website (viewed February 5, 2017)… (plus d'informations)
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"The thirteen artists in Fiction/Non-fiction challenge mainstream cultural and political narratives by offering transcultural critique through works that propose counterpoints, rhetorical questions, and revisionist statements (often as increasingly abstract forms of representation) to official historical records or archives. Through the reinterpretation of facts, traditions, and fictional elements that have informed identity politics and acted as borders and barriers to more elaborate discourse, the artists dissect not only personal and social identity issues, but also the nature and implications of their construction, and how these things are situated and represented in contemporary life... In each case the abstraction of an idea is a starting point for a critique that asserts the existence of evolving frameworks of identity that are formed through a combination of personal and social experiences and negotiations. Our understanding of Fiction and Non-Fiction is brought into question as each artist contradicts what we think we know. Our understanding of what is real, what is imaginary, or, more importantly, what constitutes a story and what constitutes history, is destabilized... Fiction/Non-fiction endeavours to provide meaningful discourse toward notions of progress, to support the elimination of racism, to encourage multiple perspectives and self-definition, to reject barriers or imposed stereotypes, and to offer a space for artists to speak as they would like to be heard. This exhibition is presented as an invitation to a conversation that reconsiders the traditional binary between the assumed non-fiction of history and the fiction or invention of storytelling"--Esker Foundation website (viewed February 5, 2017)

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