AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

Chargement...

Russian Avant-Garde Theatre: War, Revolution, and Design

par John E. Bowlt

MembresCritiquesPopularitéÉvaluation moyenneDiscussions
4Aucun3,451,633 (5)Aucun
The two decades between 1913 and 1933 saw an unprecedented boom in Russian theatre culture, ignited by the avant-garde movement sweeping through the art world. As artistic, literary and musical traditions underwent a shattering transformation against the backdrop of the First World War and the Russian Revolutions, artists from many different creative disciplines converged on Russian theatre to produce a remarkable flowering of radical, visionary and experimental design for performance. Such artists included Kazimir Malevich, Alexander Rodchenko, Sergei Eisenstein, Vladimir Tatlin, Alexandra Exter, El Lissitzky, Liubov Popova and Varvara Stepanova. This book, published alongside a major exhibition at London's Victoria and Albert Museum, in association with the Bakhrushin State Central Theatre Museum in Moscow, opens with nine essays by experts from Russia, the United Kingdom and the United States. Then follows over 150 sumptuously reproduced, full-colour set and costume designs from leading artists and designers of the period, many of which have never been published before. The result is an astonishing record of a period of creative innovation that redefined not only what was possible in theatre and the avant-garde, but in wider artistic practices too. It will be of interest both to theatregoers and art historians as well as designers. Exhibition: Victoria & Albert Museum, London, UK (19 October 2014-15 March 2015).… (plus d'informations)
Aucun
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

Actuellement, il n'y a pas de discussions au sujet de ce livre.

Aucune critique
aucune critique | ajouter une critique
Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Titre original
Titres alternatifs
Date de première publication
Personnes ou personnages
Lieux importants
Évènements importants
Films connexes
Épigraphe
Dédicace
Premiers mots
Citations
Derniers mots
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais

Aucun

The two decades between 1913 and 1933 saw an unprecedented boom in Russian theatre culture, ignited by the avant-garde movement sweeping through the art world. As artistic, literary and musical traditions underwent a shattering transformation against the backdrop of the First World War and the Russian Revolutions, artists from many different creative disciplines converged on Russian theatre to produce a remarkable flowering of radical, visionary and experimental design for performance. Such artists included Kazimir Malevich, Alexander Rodchenko, Sergei Eisenstein, Vladimir Tatlin, Alexandra Exter, El Lissitzky, Liubov Popova and Varvara Stepanova. This book, published alongside a major exhibition at London's Victoria and Albert Museum, in association with the Bakhrushin State Central Theatre Museum in Moscow, opens with nine essays by experts from Russia, the United Kingdom and the United States. Then follows over 150 sumptuously reproduced, full-colour set and costume designs from leading artists and designers of the period, many of which have never been published before. The result is an astonishing record of a period of creative innovation that redefined not only what was possible in theatre and the avant-garde, but in wider artistic practices too. It will be of interest both to theatregoers and art historians as well as designers. Exhibition: Victoria & Albert Museum, London, UK (19 October 2014-15 March 2015).

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Discussion en cours

Aucun

Couvertures populaires

Vos raccourcis

Évaluation

Moyenne: (5)
0.5
1
1.5
2
2.5
3
3.5
4
4.5
5 1

Est-ce vous ?

Devenez un(e) auteur LibraryThing.

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 206,411,483 livres! | Barre supérieure: Toujours visible