AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

Chargement...

John Townsend: Newport Cabinetmaker (Metropolitan Museum of Art Publications)

par Morrison H. Heckscher

MembresCritiquesPopularitéÉvaluation moyenneMentions
21Aucun1,064,492Aucun2
John Townsend: Newport Cabinetmaker is a landmark presentation of a supreme cabinetmaker. It offers a catalogue of the documented oeuvre of John Townsend (1733-1809), the great Newport cabinetmaker, and describes the community of skilled makers in which he worked. It gives an unparalleled views of the physical and economical realities of Newport and of the artisanal culture that nourished cabinetmakers who were among the best to ever work in America. Between 1756 and 1800 John Townsend signed his name to more than thirty pieces of furniture of his own making. These signatures document a remarkable body of work, securing for him a special place in the history of American cabinetmaking, precisely what he intended. The signed examples are, virtually without exception, pieces of the highest quality. His habit of adding the date suggests an acute historical awareness and a determination to document his legacy. Townsend seems to have sought perfection compulsively, and his hallmarks are precision, elegance, and fastidious attention to detail. Labor-intensive refinements are evident in the interiors as well as the exteriors of every documented piece. Here lengthy discussions of materials and construction practices elucidate the personal style that placed Townsend apart from other Newport joiners. John Townsend was among the most prominent of the large group of cabinetmakers that brought fame to Newport. Boston had long set the style in cabinetmaking and much else in New England, but in the 1750s and 1760s Newport experienced an extraordinary period of prosperity during which it challenged Boston standards. The bonnet-top high chest, the most fashionable and enduringly popular piece of eighteenth-century case furniture, had been developed in Boston. Newport took this innovation and made it altogether richer and more memorable by adding a shell motif to the blocking. This shell, so evident in Townsend's work, became the signature feature, the emblem of Newport furniture. There were at least ten other joiners, including John's father, Christopher, in the extended Townsend family. The cabinetmaker John Goddard, later widely renowned, married one of John's cousins. Complex business and familiar relationships existed between the various members of the family and their shops. This dense environment has been difficult to explore, and works by the lesser-known Townsends and Goddards began to be identified only in the 1980s. The Newport group of cabinetmakers is examined in detail in this publication, with period documents and maps that bring a new clarity to this complicated milieu. The collateral material includes a Townsend family tree, transcriptions of the wills of Christopher and John Townsend, and a history of the furniture that descended in the Townsend family. An essay on the critical fortunes of Newport furniture and a historical bibliography trace the growth of Townsend's reputation. Numerous works by John Townsend's contemporaries are illustrated, giving a detailed look at the differences and similarities among various approaches to the same forms. New photography allows Townsend's masterpieces to be seen more accurately and richly than ever before; numerous depictions of undersides and inlays are published for the first time. [This book was originally published in 2005 and has gone out of print. This edition is a print-on-demand version of the original book.]… (plus d'informations)
Aucun
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

Actuellement, il n'y a pas de discussions au sujet de ce livre.

» Voir aussi les 2 mentions

Aucune critique
aucune critique | ajouter une critique
Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Titre original
Titres alternatifs
Date de première publication
Personnes ou personnages
Lieux importants
Évènements importants
Films connexes
Épigraphe
Dédicace
Premiers mots
Citations
Derniers mots
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais

Aucun

John Townsend: Newport Cabinetmaker is a landmark presentation of a supreme cabinetmaker. It offers a catalogue of the documented oeuvre of John Townsend (1733-1809), the great Newport cabinetmaker, and describes the community of skilled makers in which he worked. It gives an unparalleled views of the physical and economical realities of Newport and of the artisanal culture that nourished cabinetmakers who were among the best to ever work in America. Between 1756 and 1800 John Townsend signed his name to more than thirty pieces of furniture of his own making. These signatures document a remarkable body of work, securing for him a special place in the history of American cabinetmaking, precisely what he intended. The signed examples are, virtually without exception, pieces of the highest quality. His habit of adding the date suggests an acute historical awareness and a determination to document his legacy. Townsend seems to have sought perfection compulsively, and his hallmarks are precision, elegance, and fastidious attention to detail. Labor-intensive refinements are evident in the interiors as well as the exteriors of every documented piece. Here lengthy discussions of materials and construction practices elucidate the personal style that placed Townsend apart from other Newport joiners. John Townsend was among the most prominent of the large group of cabinetmakers that brought fame to Newport. Boston had long set the style in cabinetmaking and much else in New England, but in the 1750s and 1760s Newport experienced an extraordinary period of prosperity during which it challenged Boston standards. The bonnet-top high chest, the most fashionable and enduringly popular piece of eighteenth-century case furniture, had been developed in Boston. Newport took this innovation and made it altogether richer and more memorable by adding a shell motif to the blocking. This shell, so evident in Townsend's work, became the signature feature, the emblem of Newport furniture. There were at least ten other joiners, including John's father, Christopher, in the extended Townsend family. The cabinetmaker John Goddard, later widely renowned, married one of John's cousins. Complex business and familiar relationships existed between the various members of the family and their shops. This dense environment has been difficult to explore, and works by the lesser-known Townsends and Goddards began to be identified only in the 1980s. The Newport group of cabinetmakers is examined in detail in this publication, with period documents and maps that bring a new clarity to this complicated milieu. The collateral material includes a Townsend family tree, transcriptions of the wills of Christopher and John Townsend, and a history of the furniture that descended in the Townsend family. An essay on the critical fortunes of Newport furniture and a historical bibliography trace the growth of Townsend's reputation. Numerous works by John Townsend's contemporaries are illustrated, giving a detailed look at the differences and similarities among various approaches to the same forms. New photography allows Townsend's masterpieces to be seen more accurately and richly than ever before; numerous depictions of undersides and inlays are published for the first time. [This book was originally published in 2005 and has gone out of print. This edition is a print-on-demand version of the original book.]

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Discussion en cours

Aucun

Couvertures populaires

Vos raccourcis

Évaluation

Moyenne: Pas d'évaluation.

Est-ce vous ?

Devenez un(e) auteur LibraryThing.

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 206,642,737 livres! | Barre supérieure: Toujours visible