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Chargement... Eye to Eye: Photographs by Vivian Maierpar Richard Cahan
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There's a noticeable progression in Maier's shooting style over the course of the 15 years or so represented by the photos in Eye to Eye. The earlier shots tend to be more direct, tightly composed, and very straightforward. By 1967 the photos get looser. It looks like she's shooting with a wider lens, allowing more background, more people, and more commentary into the frame. The later photos have a stronger voice, a greater sense of the times (protest signs, newspapers), and of Maier hitting on particularly whimsical, if not slyly critical, moments.
Since her death in 2009, Vivian Maier has become a photographic phenomenon. Her story--thousands of photo negatives and prints found in a storage locker and sold for pennies at auction--has stirred millions around the world. Maier was a painfully private woman who now speaks powerfully through the photographs she took only for herself. This new collection offers readers a chance to follow Maier as she travels the world, including images of France, Italy, Malaysia, Yemen, Puerto Rico, and America. These eye-to-eye portraits, published for the first time, are the single constant in her lifetime of photographic work. Maier is often cast as a quirky, anti-social character, moving on the outskirts of real connection. But these photographs show something more. Printed with the latest technology, the book utilizes a modified 4-color process that produces images parallel to traditional silver gelatin prints. Combined with 15u stochastic screening, Maier's 96 photographs in this volume are spectacularly sharp, full-range black and white reproductions. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)779.2092The arts Photography, computer art, cinematography, videography Photographic images Human figures and their partsClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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