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Chargement... After Neorealism: Italian Filmmakers and Their Films; Essays and Interviewspar Bert Cardullo
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The term OC neorealismOCO was first applied by the critic Antonio Pietrangeli to ViscontiOCOs Ossessione (1942), and the style came to fruition in the mid-to-late forties in such films of Roberto Rossellini, Luchino Visconti, and Vittorio De Sica as Rome, Open City (1945), Shoeshine (1946), Paisan (1947), Bicycle Thieves (1948), and The Earth Trembles (1948). These pictures reacted not only against the banality that had long been the dominant mode of Italian cinema, but also against prevailing soc... Aucune description trouvée dans une bibliothèque |
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![]() GenresClassification décimale de Melvil (CDD)791.430945The arts Recreational and performing arts Public performances Film, Radio, and Television Film History, geographic treatment, biography Europe ItalyClassification de la Bibliothèque du CongrèsÉvaluationMoyenne: Pas d'évaluation.Est-ce vous ?Devenez un(e) auteur LibraryThing. |