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Chargement... sketchtravelpar Collectif
Information sur l'oeuvreSketchtravel par Gerald Guerlais
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Sketchtravel is an artistic journey unlike any other. No editorial project has ever before brought together as many visual artists around a common object. Passed between 72 artists over 5 years and across over 35,000 miles, theSketchtravel sketchbook showcases the creativity of artists in numerous disciplines from around the world. Illustrators, animators, painters, and more each illustrated a page with their unique style before passing the book to the next artist. Reflecting a who's who of popular contemporary artists, this imaginative diverse collection of artwork will inspire art lovers with its scope, diversity, and beauty, much as it did each artist who contributed a link in its chain. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)709.04The arts Modified subdivisions of the arts History, geographic treatment, biography By Period 20th CenturyClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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The idea was simple: one artist could draw on any page her or she wanted and draw any subject. Then the book would be handed off to the next artist at some agreed upon meeting place. This process took the sketchbook, carried in a specially designed wooden box, 35,000 miles.
Interestingly, as the artists weren't told to draw on the page that corresponded to the order in which they were given the book, the book itself has a nonlinear narrative — if these drawings can be said to be a narrative. Thankfully, all of the drawings include the date when they were drawn, the name of the artist, and a short description or paragraph by the artist about the experience.
As time progressed, it seems the drawings became more and more elaborate. More often the later ones also include the book, done in red, as a character in the sketch. What had started as almost off the cuff dare to see if a pair of artist friends could get artists they admired to draw for them became something revered. Even the most well known of artists who come late in the project report a feeling of not being worthy of such a grand project. Meanwhile, among the earliest artists, there's a sense of regret at not predicting how important the book would become — and an almost universal wish to go back and redo the early drawings.
I recommend this book to anyone interested in sketching or in collaborative work. Would it be interesting to see what other professions could create? ( )