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Warp and weft : lessons in drafting for…
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Warp and weft : lessons in drafting for handweaving (édition 2011)

par Mariana Eriksson, Gunnel Gustavsson (Auteur), Kerstin Lovallius (Auteur)

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Warp and Weft inspires and instructs with lessons on pattern drafting. From the three most basic techniques of Swedish weaving--tabby, twill, and satin--to more advanced techniques, the book can be used by anyone who weaves. The pages are profusely illustrated, showing nearly 200 examples, including variations on plain weaves, twills, satins, block weaves, color effects, double weaves and lampas, as well as a variety of more unusual structures. The color photos are clear and close-up and accompanied by complete draw-downs and profile drafts adjacent for ease of comparison. The variety of materials, textures, and colors, including a section on damask and drawloom weaving, make this book an inspiration for creativity as well as an encyclopedic resource on the techniques of weaving.… (plus d'informations)
Membre:HPL53545
Titre:Warp and weft : lessons in drafting for handweaving
Auteurs:Mariana Eriksson
Autres auteurs:Gunnel Gustavsson (Auteur), Kerstin Lovallius (Auteur)
Info:North Pomfret, VT : Trafalgar Square, 2011. [187] p. : col. ill. ; 25 cm. $29.95
Collections:Votre bibliothèque
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Mots-clés:Hand weaving, Drafting, Weaves, Hand weaving--Patterns, Weaving--Patterns

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Warp and Weft: Lessons in Drafting for Handweaving par Mariana Eriksson

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Warp and Weft starts out with a preface explaining that this is a revised and expanded edition of a 1999 book in Swedish and that it now covers all the basics for learning how to draft more comprehensively. Well, I'm not sure that this book will teach you how to draft, but it certainly can assist your learning process and also show you how different structures are depicted in drafts. There are lots of unfamiliar Swedish names for the various weaves, but for me, this is an additional bonus because these terms are also found in other reference materials. The current volume is filled with color illustrations of woven fabrics, the drafts for those fabrics and something about the structure. It covers profile drafts, thread by thread drafts, satins, twills, and plain weave and its derivatives.

For the most part, the drafts are 4 and 8 shaft, but there are a few more for 10, 12 and 16 shaft looms. The drafts are done in the Swedish style. The whole draft is rotated vertically so that the threading is on the bottom next to the tie up and the treadling sequence travels up from the tie up on the right side.

To give you an idea about the format I've done a synopsis of the section about double weave. All sections contain drafts and color photos of the cloth along with written explanations.
Double width
Tubular weaves
Color and weave
Blocks and different structures other than plain weave
Stitched double weave

Can you use this book to weave something? Definitely. Pick a structure or photo you like, use the draft provided, add your own color sense and yarn ideas and you have a scarf, or towel, etc. You can also use it to experiment with new ideas and as a stepping off point for a more in depth study of a particular structure. It would also make an excellent study group if everyone took a different chapter, studied it, wove samples and presented it in a group setting. ( )
  fiberguildreno | Dec 15, 2022 |
Lots of meat in this book for handweavers interested in designing their own cloth. The drafts are in a Scandanavian style format and may be a bit confusing for those used to reading drafts in the U.S. There are plenty of color pictures of woven cloth to illustrate the various weave structures. ( )
  berylmoody | Dec 14, 2011 |
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Mariana Erikssonauteur principaltoutes les éditionscalculé
Gustavsson, Gunnelauteur principaltoutes les éditionsconfirmé
Lovallius, Kerstinauteur principaltoutes les éditionsconfirmé
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Warp and Weft inspires and instructs with lessons on pattern drafting. From the three most basic techniques of Swedish weaving--tabby, twill, and satin--to more advanced techniques, the book can be used by anyone who weaves. The pages are profusely illustrated, showing nearly 200 examples, including variations on plain weaves, twills, satins, block weaves, color effects, double weaves and lampas, as well as a variety of more unusual structures. The color photos are clear and close-up and accompanied by complete draw-downs and profile drafts adjacent for ease of comparison. The variety of materials, textures, and colors, including a section on damask and drawloom weaving, make this book an inspiration for creativity as well as an encyclopedic resource on the techniques of weaving.

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