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Liens de sang (1969)

par Octavia E. Butler

Autres auteurs: Robert Crossley (Introduction)

Autres auteurs: Voir la section autres auteur(e)s.

MembresCritiquesPopularitéÉvaluation moyenneMentions
8,3703511,020 (4.22)696
Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned across the years to save him. After this first summons, Dana is drawn back, again and again, to the plantation to protect Rufus and ensure that he will grow to manhood and father the daughter who will become Dana's ancestor. Yet each time Dana's sojourns become longer and more dangerous, until it is uncertain whether or not her life will end, long before it has even begun.… (plus d'informations)
Récemment ajouté parTheBooksofWrath, bibliothèque privée, sarahb86, darthjuno, LadyLast, lihui, ElfOwlV, dan361, LilMissOutsider
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    The Devil's Arithmetic par Jane Yolen (SpaceStationMir)
    SpaceStationMir: Character goes back in time to experience a painful episode in her ancestors' history and emerges with deeper understanding and empathy for complications of the past.
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    Le grand livre par Connie Willis (Utilisateur anonyme)
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    Maîtresse par Valerie Martin (sturlington)
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    Woman on the Edge of Time par Marge Piercy (souloftherose)
    souloftherose: Both novels use time travel to explore issues of race and inequality
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    Lion's Blood par Steven Barnes (MyriadBooks)
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    Beloved par Toni Morrison (susanbooks)
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    L'invention des ailes par Sue Monk Kidd (vwinsloe)
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    La Femme Comestible par Margaret Atwood (Utilisateur anonyme)
  11. 00
    La danse de l'eau par Ta-Nehisi Coates (vwinsloe)
    vwinsloe: Time travel to US South slave state.
  12. 01
    Binti par Nnedi Okorafor (sturlington)
1970s (13)
AP Lit (14)
Chargement...

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» Voir aussi les 696 mentions

Affichage de 1-5 de 349 (suivant | tout afficher)
Kindred has been falsely branded under the classification of a genre novel (genre-bending or not), just because it happens to incorporate some seemingly fantastical ingredients as part of the wordsmith's brew, and in so doing, has belittled its rightful status as a masterstroke of modern art and educational significance. There is so much gravity in the historical depictions contained within these pages smeared with blood and tears, portrayed with a harrowing present-day voice which is so identifiable, that it is an earthshaking experience for anyone to leaf through with at least an ounce of pity in their heart. This is a staggering story of the realities of slavery and an eye-opening portrayal of a demoralizing human cruelty. Why there are so many contenders which take Kindred's place as required academic reading I'll never comprehend. ( )
  TheBooksofWrath | Apr 18, 2024 |
his is one I've been meaning to read for a while, and boy am I glad I did. Butler uses sci-fi to explore the slave experience in the early 1800s. Dana is a young black woman living with her new white husband in 70's era Los Angeles. One day she gets dizzy and finds herself transported back to 1815 Maryland and finds the young son of a Plantation owner drowning. She saves him, but in doing so she is threatened with a gun and is transported back. She becomes linked to this boy. Whenever he's in trouble she goes back to help him. Whenever she's threatened in the past, she is sent home. Time hardly moves in LA, but years go by in Maryland. Each time she goes back it becomes harder and harder to reconcile the free and independent woman she is with the slave she needs to be. A fascinating read. ( )
  mahsdad | Apr 3, 2024 |
I wanted to like it more. ( )
  bookem | Mar 27, 2024 |
I love Octavia Butler. She is to-date the only author for whom I wept uncontrollably at her passing.

I'd been putting off Kindred for a while because I knew it would be a rough ride. Nearly every book by Butler is hard slog. Not because the author is lacking, but just the opposite. She is amazingly good at putting the reader at a different time and place and almost always that time and place is dangerous and extremely painful.

Every book I've read by her has found me often with my finger holding my place in the book while I stare into space examining my own beliefs and the implications of the story put before me.

Kindred uses a fantastic mechanism to tell a very real story. I like that Dana's time travel is never explained. I thought the character development was spot on. And it was simultaneously refreshing and horrifying to get such a different perspective on antebellum slavery than what most history books only gloss over. ( )
  Ivia | Feb 29, 2024 |
My 1st Octavia Butler. Heard about this book from Velshi's Banned Book Club. In 1976, Dana, a 26 year old black woman married to a white man in California finds herself pulled into the 1700's just in time to save a young boy from drowning. The boy Rufus, was the son of a slave owner. It was the beginning of many episodes of her being called to the past by the boy as he aged and needing her help to save him. They established a unique relationship despite being a black woman, she was still considered a slave and could be sold like the fate of many during this time. The book details many of the struggles and quite graphic on some of the ways slaves were punished on the plantation This was difficult at times to hear the way the people were treated and how hard of a life they lived. It reminded me of "Roots" the series on TV back in the 80's. A reminder of how it was for black people in the south, not so many years ago and definitely important lesson of our early history. ( )
  booklovers2 | Feb 25, 2024 |
Affichage de 1-5 de 349 (suivant | tout afficher)

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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Octavia E. Butlerauteur principaltoutes les éditionscalculé
Crossley, RobertIntroductionauteur secondairetoutes les éditionsconfirmé
Adébáyò, AyòbámiAvant-proposauteur secondairequelques éditionsconfirmé
Gyan, DeborahArtiste de la couvertureauteur secondairequelques éditionsconfirmé
Leon, JanaArtiste de la couvertureauteur secondairequelques éditionsconfirmé
Nuenning, MirjamTraducteurauteur secondairequelques éditionsconfirmé
Otoo, Sharon DoduaAvant-proposauteur secondairequelques éditionsconfirmé
Ross, RachelArtiste de la couvertureauteur secondairequelques éditionsconfirmé
Rummel, PeterTraducteurauteur secondairequelques éditionsconfirmé
Schwinger, LaurenceArtiste de la couvertureauteur secondairequelques éditionsconfirmé
Staunton, KimNarrateurauteur secondairequelques éditionsconfirmé
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I lost an arm on my last trip home. (Prologue)
The trouble began long before June 9, 1976, when I became aware of it, but June 9 is the day I remember it.
We flew to Maryland as soon as my arm was well enough. (Epilogue)
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Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned across the years to save him. After this first summons, Dana is drawn back, again and again, to the plantation to protect Rufus and ensure that he will grow to manhood and father the daughter who will become Dana's ancestor. Yet each time Dana's sojourns become longer and more dangerous, until it is uncertain whether or not her life will end, long before it has even begun.

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