Christina Stead (1902–1983)
Auteur de L'homme qui aimait les enfants
A propos de l'auteur
Author Christina Stead was born in Rockdale, New South Wales, Australia on July 17, 1902. She left Australia in 1928 and spent time in Europe, England, and the United States before permanently returning in 1974. She wrote fifteen novels and numerous volumes of short stories. She is best known for afficher plus her novel, The Man Who Loved Children, which was based on her childhood. Her novels were unpublished in Australia until 1965 and she was denied the Britannica-Australia award in 1967 on the grounds that she was no longer considered an Australian. In 1974, she won the Patrick White award. While living in the United States during the 1940s, she worked as a Hollywood scriptwriter and contributed to Madame Curie and They Were Expendable. She died on March 31, 1983. (Bowker Author Biography) afficher moins
Crédit image: Portrait of author Christina Stead, 1940s? [picture]
National Library of Australia, nla.pic-an24717059
National Library of Australia, nla.pic-an24717059
Œuvres de Christina Stead
Guest of the Redshields 1 exemplaire
Sappho 1 exemplaire
Oeuvres associées
The Lifted Veil: The Book of Fantastic Literature by Women 1800-World War II (1806) — Contributeur — 42 exemplaires
Australian Literature: An Anthology of Writing from the Land Down Under (1993) — Contributeur — 26 exemplaires
Goodbye to Romance: Stories by New Zealand and Australian Women Writers, 1930-1988 (1989) — Contributeur — 10 exemplaires
Étiqueté
Partage des connaissances
- Nom canonique
- Stead, Christina
- Nom légal
- Stead, Christina Ellen
- Date de naissance
- 1902-07-17
- Date de décès
- 1983-03-31
- Lieu de sépulture
- Sydney, New South Wales, Australia
- Sexe
- female
- Nationalité
- Australia
- Lieu de naissance
- Sydney, New South Wales, Australia
- Lieu du décès
- Sydney, New South Wales, Australia
- Lieux de résidence
- London, England, UK
New York, USA
Sydney, New South Wales, Australia
Paris, France
Spain - Études
- Sydney High School
Teachers' Training College, Sydney University - Professions
- secretary
instructor (New York University)
novelist
writer (senior writer, MGM)
author - Relations
- Stead, David G. (father)
Blake, William J. (husband | widowed)
Harris, Thistle Yolette (stepmother) - Organisations
- American Academy of Arts and Letters (Foreign Honorary, Literature, 1982)
- Prix et distinctions
- Patrick White Award (Australian Literature, 1974)
Membres
Discussions
Group Read, December 2018: The Man Who Loved Children à 1001 Books to read before you die (Janvier 2019)
75 Books Challenge for 2015 : ANZAC Author Reading Challenge 2015-Christina Stead (AUS) & Katherine Mansfield (NZ) (May) à 75 Books Challenge for 2015 (Août 2015)
Critiques
Listes
Prix et récompenses
Vous aimerez peut-être aussi
Auteurs associés
Statistiques
- Œuvres
- 25
- Aussi par
- 6
- Membres
- 3,232
- Popularité
- #7,919
- Évaluation
- 3.6
- Critiques
- 76
- ISBN
- 183
- Langues
- 9
- Favoris
- 6
This, I can confidently say, is one of the strangest books I have ever read.
I have long had a fascination-cum-adoration for Christina Stead, one of the most difficult writers to emerge from our Great Southern Continent, but even compared to her often violently idiosyncratic novels, The Salzburg Tales is a beguiling, deeply individual work. Over the course of 7 days, a bunch of socially disparate visitors to the annual Salzburg Festival (still occurring as of 2020, almost nine decades after the novel's publication) tell tales with each other, in a plot device that is consciously Boccaccio with a touch of Chaucer, and what tales they are.
Stead's stories have a much deeper fairytale element than Boccaccio's, seem to draw less on existing folk myth and more on a repository of subconscious Freudian ideas, buried tropes, and a limitless imagination. There is really no explaining the contents of this book as the stories often have no great power outside of the author's endlessly versatile prose. The marionettist who abandons his family for the glitzy life of an urbane sculptor, the dead wife whose golden statue takes her place in the mind of her late husband and his adulterous brother... the stories could easily fill the annals of O. Henry or John Cheever or, indeed, the works of R.L. Stine!
Here, however, Stead transforms these unsettling tales into something mystical yet earthy, intangible yet heartpoundingly visceral, abstract but sentimental. Her turns of phrase, unsurprisingly for those who have read her novels such as The Man Who Loved Children or Letty Fox: Her Luck are cuttingly precise, startlingly poetic. The absolute best, for my money, are those told in the first person. It saddens me that Stead didn't become a playwright; even reading some of the first-person stories out loud at home (hey, we commit weird acts during pandemic lockdown), I found myself close to tears with the poignancy and dare I say magical-realism of the experience.
Perhaps best read as a nightly story before bed, rather than rushed through for the sake of completion. These are delicacies to be savoured, jewels to be plucked from a box for quiet contemplation. Stead remains criminally underrated, but she is also an author one must approach on her terms - rather like a caged leopard. Look the wrong way, allow her to take control, and you may as well surrender your life. She writes on her terms; approach with caution.… (plus d'informations)