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Lisa Carey

Auteur de The Mermaids Singing

5 oeuvres 1,447 utilisateurs 70 critiques 11 Favoris

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Comprend les noms: Lisa Carey

Œuvres de Lisa Carey

The Mermaids Singing (1998) 586 exemplaires
Every Visible Thing (2006) 230 exemplaires
Love in the Asylum (2004) 226 exemplaires
La petite fille fantôme (2000) 218 exemplaires
The Stolen Child (2017) 187 exemplaires

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Aardig boek, leest lekker weg (heb de Nederlandse vertaling gelezen). Niet zo bijzonder als ik had gehoopt, maar de personages zijn geweldig. Het plot wordt op een gegeven moment een beetje saai.
 
Signalé
cuiomae | 6 autres critiques | Aug 26, 2022 |
This is billed as a ghost story, but that isn’t really the designation I would put upon it. Fantasy erotica maybe. Stranger than just ghosts or the paranormal. It is too steeped in fantasy to really capture my imagination at all. What is most frustrating is that the writer can actually spin a tale, and the beginning had some promise, despite the impossibilities it presented. Well, you cannot criticize that it isn’t realistic when you knew it was a “ghost story” going in, can you?

It has a similar plot thread to a book that I adore, [b:A Portrait of Jennie|6900349|A Portrait of Jennie|Robert Nathan|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1459761270l/6900349._SX50_.jpg|1883139]. I say this to emphasize that it is not the impossibilities that make this book not work, it is the author’s inability to present those impossibilities in a way that makes you want to believe in them. I was far more interested in the backstories of the two main characters, a reclusive artist who saw ghosts regularly in his childhood and is grieving the long ago death of his twin sister, and the dead girl who returns from the dead, in the flesh, with her own story of tragedy and loss. This is why I say it is “billed as a ghost story”, because by definition, ghosts are spirits, not people, and they do not return in a flesh and blood incarnation.

The erotic part doesn’t really start until you are ¾ of the way into the story and invested enough to finish. I still contemplated just closing the book and walking away. Not that sex itself is bothersome, but oh my goodness PLEASE, I do not need pages of detailed explanation. I wasn’t looking for a textbook. I know how it is done. At the risk of a spoiler, the artists’ first sexual encounter is in a graveyard with a ghost. Sex with people is sometimes strange enough to picture mentally, sex with ghosts and dead (but not) girls is even stranger.

This might have been a 3 star read for me at one point. It deteriorated into 1.5 stars, and so I compromised at 2. This book came to me as a recommendation from a friend. I’m not sure how I am going to tell her about my reaction to it. Oddly enough, it has a number of 5-star reviews and an overall rating of 3.92. Just goes to show you how differently we readers can see things.
… (plus d'informations)
 
Signalé
mattorsara | 6 autres critiques | Aug 11, 2022 |
Didn't like this story. I did not ever see why Seamus liked/loved Grace. Not sure why anyone (except her mother and grandmother maybe) liked/loved Grainne. They were both self-centered people throughout the entire book. The book was boring after a while, with the mother/daughter/granddaughter same events/feelings happening over and over. The ending was too predictable.
 
Signalé
debfung | 16 autres critiques | Jul 12, 2021 |
Lovely narrator. Great accent. A wild story. Beautiful sense of place. Glad to read this after having visited Blasket Island. I could easily visualize the scenes. Wonderful characters. Magic that felt rooted in the earth.
 
Signalé
njcur | 27 autres critiques | Jun 19, 2020 |

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Statistiques

Œuvres
5
Membres
1,447
Popularité
#17,763
Évaluation
3.8
Critiques
70
ISBN
57
Langues
6
Favoris
11

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